Moleskine, an exceptionally popular sketchbook/notebook manufacturer, recently sponsored an exhibition at the Art Directors Club in New York called Detour. The exhibition featured 70 Moleskine notebooks filled by various designers, architects, artists and writers providing a glimpse into the minds and process of many creative minds.
read on »Aarron Walter
Inside Designer's Sketchbooks
The Captives
I’ve just posted a new interactive sculptural piece entitled The Captives to my Creative Discovery portfolio. The piece explores the idea of imprisonment and passive observation of viewers. It’s a concept I have been working on and prototyping the technology for a few years now. Given current world events, the concept has become more salient and relevant than I had originally intended.
Mice are trapped in a display case with a large lock conspicuously preventing their freedom. The mice scurry about looking for shelter or a way out, triggering a motion sensor that causes pleading messages to be written and spoken to viewers to release them from captivity. The key is in the lock. A viewer could end the piece at any time.
I created the piece using an EZIO card, a motion sensor, and custom software authored in Lingo using Macromedia Director. Long Night of Museums
The events outside the museums were every bit as engaging as what was inside. At the Gem?§ldegalerie, an impressive pyrotechnic display lured visitors from afar to the museum. Classical and contemporary music ignited the space while flamethrower devices atop the roof and around the museum shot streams of fire into the air in time. A large flamethrower array burst a massive fiery charge above the crowd at the crescendo of songs.
At Potsdamer Platz, a building facade was transformed into a screen displaying media art works. Giant florescent bulbs in circular and linear shapes serve as massive pixels of the display. I stood mesmerized by the imagery for some time.
A highlight of the evening for me was an installation by Cai Guo-Qiang entitled Head On at the Deutsche Guggenheim. A large drawing of swirling dust and silhouettes of wolves begins the piece. In front of it stands a lone, snarling wolf, poised to spring forward into a large pack of wolves running, and leaping in an arch above the ground, ultimately crashing into a glass wall. Each wolf is quite carefully crafted with what appears to be real fur. The piece captures the motion of the pack suspending dozens of wolves in mid air until their bizarre demise at the wall.
